There’s an easy intimacy and warmth that immediately emanates from Andrew Ahn’s “The Wedding Banquet,� an affable remake of the 1993 Ang Lee film. He crafts a cinematic world that you want to slip into and spend some time; tactile, cozy, populated with witty, real characters, much like his films “Driveways� (2020) and “Fire Island� (2022).
That’s what makes “The Wedding Banquet� a distinctly Andrew Ahn film, despite working with a 30-year-old text that has already been embraced and celebrated.
This is a light and breezy affair with a few unexpected twists, some social commentary that doesn’t entirely land, and it might not have enough staying power for it to be truly memorable. -- Katie Walsh, Tribune News Service Read moreMovie Review: 'Clown in a Cornfield' a light, breezy slasher
This flick isn’t a masterpiece, not even a vulgar one, but it’s cheeky and entertaining enough in its giddy hyper-violence, thanks almost entirely to the star turn of Josh Hartnett, who has proven in his recent renaissance that he’s especially great in bozo mode. -- Katie Walsh, Tribune News Service Read moreMovie Review: Josh Hartnett saves 'Fight or Flight' from crash landing
Perhaps we don’t need the reminder that our personal relationships with animals are some of the most special and rewarding ones that we can enjoy as human beings, but “The Penguin Lessons� also underscores that our relationships with people are even more important, and that sometimes animals are the best stewards for this particular journey.-- Katie Walsh, Tribune News Service Read moreMovie Review: A teacher's pet warms the heart in 'Penguin Lessons'