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Stories and patterns: The art of weaving

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This year’s Flag Wool and Fiber Festival, an annual celebration of fiber arts, wool dying and more, appeared online at the end of May instead of the usual in-person gathering due to the COVID-19 pandemic. The nonprofit hopes to return to its normal festival format next year in the beginning of June, and participating artists are honing their craft in the meantime. Philip Singer, one of the festival’s artists, focuses on the fiber arts, specifically weaving tapestries. Singer began studying printmaking at the university level before he found himself at the loom.

“Each has its own tools and equipment,� Singer says of the two art forms. “Attention to detail, precision and accuracy is key for printmaking. Then add patience and I am ready to weave. This is the foundation I use when weaving. Are my edges straight? Are my designs looking like what I envisioned? As meticulous as I am about my work, I found that these principles apply just as well and helped me produce better quality tapestries.�



Margarita Cruz holds an MFA in Creative Writing from Northern Arizona University. She serves on the Northern Arizona Book Festival board and as editor-in-chief for Thin Air Magazine. Her work has been featured in The TunnelsÌý²¹²Ô»åÌýSusquehanna Review, among others.



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